Ir al contenido principal

Premiata Forneria Marconi - Live in Japan (DVD - 2002)


Otra semana llena de sorpresas termina con un viernes especial porque dentro de unas horas veremos a la Premiata Forneria Marconi en vivo en el teatro Gran Rivadavia, lo que culminará con un encuentro de cabezones. Para poner el moñito al regalo viene otro aportazo de Pedro Rock trayendo un video para caerse de culo, son los tanos volviendo locos a los ponjas. Creo que está de más decir que es imperdible...

Artista: Premiata Forneria Marconi
Álbum: Live in Japan
Año: 2002
Género: Progresivo italiano
Duración: 133 min.
Nacionalidad: Italia


Lista de Temas:
1. La Carozza Di Hans (6:52)
2. Rain Birth (1:25)
3. River Of Life (7:23)
4. Photos Of Ghosts (7:41)
5. Peninsula (5:11)
6. Out Of The Roundabout (7:29)
7. La Rivoluzione (4:07)
8. Suonare Suonare (5:50)
9. Promenade The Puzzle (7:20)
10. Tokyo Piano Solo (2:13)
11. Dove .. Quando - Part Two (1:47)
12. Dove Quando .. (4:20)
13. Il Banchetto (3:05)
14. Dolcissima Maria (4:16)
15. Maestro Della Voce (8:18)
16. Si Puo Fare (12:08)
17. Mr. 9 Till 5 (5:11)
18. Scary Light (3:00)
19. Tokyo Electric Guitar Jam, including Altaloma 5 Till 9 (5:23)
20. Tokyo Violin Jam - Part One (2:44)
21. Rossini's William Tell Overtue (0:57)
22. Tokyo Violin Jam - Part Two (2:44)
23. Impressioni Di Settembre (5:30)
24. E Festa - Celebration (5:46)
25. La Luna Nuova - Four Holes In The Ground (9:49)

Alineación:
- Franz Di Cioccio / vocals, drums, percussions
- Patrick Djivas / bass
- Franco Mussida / guitars, vocals
- Flavio Premoli / keyboards, vocals
- Lucio Fabbri (special guest) / violin, keyboards, guitar and backing vocals
- Piero Monteresi / drums






Hay cosas que son al pedo reseñar, son los tanos de oro en Japón, ¿qué más hace falta decir?... Pueden tener otra muestra en todo caso, pero no voy a perder tiempo reseñando ésto que todos conocen.



Si quieren reseñas, acá van algunas en inglés, pero les aclaro que todas dicen lo mismo: no te pierdas esto que está excelente!





Aquí las reseñas en inglés:

This is a real treat, what an amazing music from Italian progrock legend PFM, featuring three original members. Some hair was lost or has become grey but the band sounds very inspired and so virtuosic! PFM plays 25 songs including strong and exciting renditions from 'classics' like La Carozza Di Hans", Photos Of Ghosts", "Dove .. Quando", "Il Banchetto", "Mr 9 Till 5", "E Festa" (aka "Celebration") and "La Luna Nuova" (aka "Four Holes In The Ground"). Lots of outstanding soli on piano, acoustic - and electric guitar, keyboards and violin (special guest Lucio Fabbri). Some tracks from the later, more commercial era sound a bit polished but in general this DVD delivers outstanding progrock (the Japanese fans go wild, what a perfect atmosphere) from the best Italian progrock band ever. GREAT!
Erik Neuteboom

It's a remarkable video representation concerning their return in Japan: therefore this latter country alone has always been appreciating such beloved Italian progressive bands - including of course PFM- for many years in the seventies and afterwards (still regarding of some other Italian bands like BMS, Balletto di Bronzo, etc.); so - by thinking of the period concerning for instance the famous concerts of ELP with PFM- whose constant mutual collaboration moreover had already been generated in the American and Japan Tour by ELP, I'm quite excited also about the whole DVD!! PFM supported ELP during the Chocolate Kings Tour for example and the present gig sometimes reminds me of those incredible years!!
Instead, coming back to the concert filmed in Kawasaky, I'm not completely satisfied about a few takes filming them on stage in some further moments, especially talking about the scenes concerning their instrumental interplays, being not so much in evidence. But after all it's a minor defect, above all if you consider the happy choice concerning a good amount of immortal songs: in fact you can find some classics within, like for instance "La Luna Nuova", "La Carrozza di Hans" and even the ever-green ballad entitled "Impressioni di Settembre". Certainly the production is pretty good and besides - as PFM nowadays is a simple pop rock band, in spite of enriching sometimes their stuff by means of some electronic and experimental moods, it seems to be lacking their old inspiration. As a matter of fact you could remain a little bit disappointed about them, yet They are always conscious of their role, as important musicians whose impact live (in particular in this place) is reasonably powerful!! Moreover their huge experience let them play all their tunes enthusiastically, even though sometimes the guitar solos by Mussida are performed with an uneven execution. at the end never mind, cause the output of the whole opera is surprising!!
Important recent live witnessing another remarkable reunion!!
Lorenzo

What do you expect to see a live performance from a band who was successful in the past and not present anymore with new albums? Usually, you might see the performance is very disappointing because they can no longer perform their old tunes wonderfully. But, that's not the case with PREMIATA FORNERIA MARCONI (PFM). Their performance - recorded live on May 12th, 2002 at Club Citta in Kawasaki, Japan - is really awesome and a gem that any prog rock fan, especially those who love PFM in the past, must see this DVD.
The video starts with applaud from the crowd welcoming members of the band come up on stage. The show kicks off with La Carozza Di Hans, a very dynamic composition that blends various styles with changing tempos. All musicians perform their role marvelously. Franco Mussida takes a position at front with his guitar while performing lead vocal in alternate with Flavio Premoli who sits with his keyboard at right wing of the stage (crowd view). Patrick Djivas (bass) stands at Mussida's right and Lucio Fabbri (violin) stands at leftmost wing of the stage, close to Djivas. The band's energetic drummer Franz Di Cioccio plays his drum set with passion and energy and he becomes the key attraction of the show. Excellent opener.
What truly amazes me is when the band performs River of Life, my all-time favorite PFM track. The track starts off wonderfully with perfect acoustic guitar work by Mussida. The combination of keyboard, acoustic guitar and violin work during intro part is really fabulous. Mussida changes his guitar to electric one and sings the song with his heart. He seems too old but his voice is really powerful and transparent. I especially enjoy the part in the middle of the track where Djivas plays his bass guitar solo combined with guitar and keyboard. It's really cool. The song itself is very melodic and composed with symphonic nuance. Great composition and flawless performance! Photos Of Ghosts continues the show featuring great violin solo by Lucio Fabbri. Those of you who are familiar with this song will be amazed seeing the band performs this song on stage as it is delivered lively and better than the original studio version. Fabbri also plays acoustic guitar during this song. At track 5/5, Peninsula, Cioccio takes the microphone continued with Japanese speaking words by Mussida.
Gatot Widayanto

If anyone has read my reviews, they'll know that I'm a fan of PFM (PREMIATA FORNERIA MARCONI). However until now I had never bothered to check out the DVD "Live In Japan 2002". Big mistake. What a fantastic set (more than two hours of music) and a well-produced video. Watching it really makes me wish I had been in the audience. The filming is slick, and the audio and video quality are top notch.
Fans of early PFM will not be disappointed, as the old favourites -- plus a few numbers from later albums "Chocolate Kings", "Jet Lag", "Suonare Suonare" and "Serendipity" -- are included and played with gusto. In fact, the enthusiasm of the group is delightful. Di Cioccio (drums & vocals) and Mussida (guitars & vocals) certainly look their age but, boy, do they deliver, as do Premoli (keyboards & vocals) and Djivas (bass & vocals, and recorder on Dolcissima Maria).
I'm not normally a fan of live improvisations as they are often below par, but in this concert I find the various improvisations enjoyable, especially Premoli's on the Roland piano as I'm a keyboard fan.
Guest musicians Lucio Fabbri (violin, keyboards & guitar) and Piero Monteresi (drums) meld well with the other group members. The group all look relaxed and are evidently enjoying themselves. They never look bored and do all the pieces justice even though they have played them countless times in the past. In fact the relaxed nature gives some of the tracks a nice, jazzy laid-back feel.
The 1980 album "Suonare Suonare" is not rated as highly by fans as the early albums but I like it, even if it is more commercial sounding, and the rather laid-back renderings here of 'Suonare Suonare' and 'Maestro Della Voce' are real foot-tappers, with the silver-haired Mussida grooving on the guitar.
Di Cioccio's drumming is impressive and he also does an excellent job fronting the group, announcing the songs and musicians, and singing with much gusto when he temporarily gives up the drums to Monteresi. He belts out the songs, scats, gesticulates and prances with much energy, his drumsticks tucked into his belt in front and behind.
If you are already a fan of PFM then I strongly doubt this DVD will disappoint you. And if you're new to PFM and enjoy symphonic Progressive Rock and live music, this should impress you. OK the guys are getting on in years but, believe me, they play a mean live set and the musicianship is evident.¿
As far as videos of Progressive Rock concerts go, this must rank amongst the best, and I find it difficult to fault it. Purists might complain that the Anglicised versions of some of the early songs are performed, but they work well on stage in my opinion. And the group mixes the two languages anyway on a couple of the tracks, so both camps should be pleased. Perhaps the lead vocals are not quite what they used to be, perhaps a flute would have been nice (but Premoli and Fabbri do a good job with the keyboards and violin in its place). But, to my mind, these are all quibbles. Watching and listening to this makes me want to jump for joy, so five stars it is. Highly recommended.
Jim Fitzcarraldo

So, you say you want to kick back and watch an incredible symphonic concert without all the ridiculous and nasty visual effects so many are infected with these days? Well look no further my friends.
To be short and sweet, this is one of the most fabulous live prog experiences you are going to find anywhere. Incredibly beautiful Italian symphonic prog rock delivered with perfect sound and video, virtuoso performances, and lots of it. PFM seem to defy the logic that the old prog giants can't get it right anymore. Based on this DVD and on the recent Stati CD, it is clear that PFM are like fine wine, getting better with age. From their classic songs and passionate performances it seems they have taken only wisdom and grace from their advancing age. Unlike some of their peers they seem to avoid the trap of trying to be all things to all people, or trying to please the record company by being trendy again to gain sales.
Instead you get a simple and unbelievably good presentation of fine music that anyone will fall in love with. Beautiful expressive acoustic and electric guitar, stunning e-violin, nice piano, solid bass and drums, and warm vocals. Most of the vocals are in Italian thankfully, but they do a few numbers in English as well.
An essential view for any lover of symphonic progressive rock. I just can't imagine any fans of the genre not digging this DVD, it's that good.
Jim Finnforest

My introduction to this band was a live album back in the '70's. I lost track of them in the '80's but was really thrilled when I found a live in 2002 CD back in 2003. Didn't even occur to me to see if there was a DVD, which a got my hands, eyes, and ears on, until recently. This is both a treat for those already acquainted with the band as well as a great introduction for those who aren't. One of the best prog band from the '70's making a comeback in the '00's you can get.
Franz Di Cioccio, Franco Mussida, and Flavio Premoli are back on vocals/drums/percussions, guitars/vocals, and keyboards/vocals respectively. Patrick Djivas provides some great bass work. Lucio Fabbri shows his talents very well on violin, keyboard, guitar, and backing vocals. Piero Monteresi takes over drumming duties quite nicely when Di Cioccio takes center stage.
It's one thing to hear a great band play in person, but being able to actually see and revisit a performance you couldn't have attended, so well filmed and recorded is much better for me. Over two hours of concert music, they really played their butts off. Plus thirteen minutes of bonus (non-concert) footage backed by new music. I don't usually rate live shows as essential, but will have to make an exception in this case.
A very nice collection of old material, some new jams and improvisations, but what's up with Franz sticking all those drumsticks in his pants?
Brian S. Lindsey

Having the chance to watch to this concert video for the first time gave me some additional views about this release, because I reviewed the CD version of this concert ten years ago (!).
Three original members of the band (Franz Di Cioccio, Franco Mussida, Flavio Premoli) and a long time member (Patrick Djivas, playing with the band since 1974) appear together in this video which was recorded in Japan in May 2002. Also appearing with them are multi-instumentalist Lucio Fabbri (a member of the band during the eighties, and appearing with the band as guest in this video) and drummer Piero Monterisi.
This concert video is very good, with the band playing very well mostly songs from their best period (the seventies), plus three songs from their 'Suonare Suonare' album from 1980 (the title track of that album, 'Maestro Della Voce' and 'Si Puo Fare') and one song from their 'Serendipity' album from 2000 ('La Rivoluzione'). Most parts of the concert are really very good for my taste, playing the songs with a lot of energy and feeling, with all the members of the band playing very well, and with some visual interactions and smiles between the musicians, giving the impression that they were enjoying playing in the concert very much. Most of the lead vocals and interaction with the audience are done by Di Cioccio, (with Monterisi playing the drums while Di Cioccio sings at the front of the stage), giving a very 'dynamic' and enthusiastic performance, with him smiling, dancing and moving around the stage playing percussion and / or carrying the mic stand. Other lead vocals on other songs were done by Mussida and Premoli. But after 'Dolcissima Maria' is played (with Djivas playing a bit of soprano recorder in that song, remembering a bit former original member Mauro Pagani, who played flute and violin with the band until he left them in 1976), for me the concert begins to be less interesting (and a bit boring), with the band playing long versions of 'Maestro Della Voce' and 'Si Puo Fare', playing a lot of improvisations in these two Pop Rock songs from the eighties (their less interesting period for my taste). After this, the band plays 'Mr. 9 to 5', in a very good version, but after this, the band starts again to improvise a lot (from 'Scary Light' to 'Tokyo Violin Jam - Part Two') with only some parts of 'Alta Loma 5 Till 9' being interesting for my taste. Fortunately, the band recovers the 'inspiration' very well to play three very good songs as Encores ('Impressioni Di Settembre', 'E Festa ' Celebration' and 'La Luna Nuova - Four Holes In The Ground'), bringing the concert to a very good end.
It was very good to have this line-up of the band playing together for some years (from 1997 until 2005 when Premoli left the band again). As I mentioned before, all the members play very well. Fabbri really has a lot of work in some songs, with him playing violin, rhythm guitar and keyboards (all in a same song!) plus also singing some backing vocals. The band appears playing really as a team, doing very good arrangements to the songs (particularly by Fabbri and Premoli on keyboards), and giving space to each other, sounding like they rehearsed a lot and with a lot of experience as musicians. Di Cioccio really works very well as lead singer and communicator with the audience and with the other musicians.
The recording and mixing of the sound are very good, and the camera angles and editing of the video are also very good.
In general, this is a very good concert video.
Guillermo Vázquez Malagamba

Having already got the 2 disc CD version buying this DVD was a bit of a luxury. However I enjoyed the Piazza Del Campo DVD so much I thought I'd add this to my collection. Pardon me if I make some comparisons between the two performances.
So, my thoughts.
The sound is excellent (better than Piazza I think, particularly Franco's guitar being higher in the mix). The musicianship is just stunning. I love watching these guys play!
In general I think they feed off an audience's energy and the Japanese seemed a little restrained. So maybe it's just a little less energetic than the Piazza show.
Franz Di Coccio is more prominent in front of the drums in this collection, but actually does a really good job. None of the slightly embarassing audience participation stuff that mars the Piazza show.
The set selection is great. A mix of material from their back catalogue, including "Chocolate Kings" and "Jet Lag"
If I remember rightly I gave Piazza Del Campo 4 stars and balancing the pros v cons of each I have to give this slightly higher because of the audiovisual quality plus the strength and length of the set.
Round it up to 5/5 stars
Jeff

I just received this dvd and just watched and all I can say is WOW! These guys are not human, they are angels in disguise! This is how all live concerts should be like. The songs are all excellent, most of them from the 70s era (the best). The playing is awesome and the renditions are accurate and the complexity of the arrangements is performed with mind-blowing accuracy. Too bad the flute is absent but the presence of the violin makes up for it. If you like early King Crimson, Jethro Tull, Yes and Gentle Giant then BUY IT NOW!!
naji.chmayssani

The best music dvd I´ve ever seen! Great sound and picture quality. Great production/editing/camera work. Great music - a fine selection of old PFM masterpieces mixed with a few less known songs which works fine in this context + a few solo/jam numbers. Impressive musicianship/artistry! And it lasts for more than two hours!
I can´t see how a music dvd could get any better than this!
Leif

Y ya sabés donde buscarlo en el caso de que no encuentres lo que no está aquí. Todo en la lista de correo cabezona.




Comentarios

  1. Hola. Tremendo trabajo de investigacion, recopilación y opinión.
    Felicitaciones.
    Hace tiempo no entraba al blog. Esta renovado. Moderno.
    Pero... donde o cómo encuentro ahora los flac para bajar?
    Gracias

    ResponderEliminar

Publicar un comentario

Lo más visto de la semana pasada

Los 100 Mejores Álbumes del Rock Argentino según Rolling Stone

Quizás hay que aclararlo de entrada: la siguiente lista no está armada por nosotros, y la idea de presentarla aquí no es porque se propone como una demostración objetiva de cuales obras tenemos o no que tener en cuenta, ya que en ella faltan (y desde mi perspectiva, también sobran) muchas obras indispensables del rock argento, aunque quizás no tan masificadas. Pero sí tenemos algunos discos indispensables del rock argentino que nadie interesado en la materia debería dejar de tener en cuenta. Y ojo que en el blog cabezón no tratamos de crear un ranking de los "mejores" ni los más "exitosos" ya que nos importa un carajo el éxito y lo "mejor" es solamente subjetivo, pero sobretodo nos espanta el concepto de tratar de imponer una opinión, un solo punto de vista y un sola manera de ver las cosas. Todo comenzó allá por mediados de los años 60, cuando Litto Nebbia y Tanguito escribieron la primera canción, Moris grabó el primer disco, Almendra fue el primer

Mauricio Ibáñez - Shades of Light & Darkness (2016)

Vamos con otro disco del guitarrista chileno Mauricio Ibáñez, que ya habíamos presentado en el blog cabeza, mayormente instrumental, atmosférico, plagado de climas y de buen gusto, "Shades of Light & Darkness" es un álbum que muestra diferentes géneros musicales y estados de ánimo. Se relaciona con diferentes aspectos de la vida humana, como la sensación de asombro, crecer, lidiar con una relación problemática, el éxito y el fracaso, luchar por nuestros propios sueños y más. Cada una de las canciones habita un mundo sonoro único, algunas canciones tienen un tono más claro y otras más oscuras, de ahí el título, con temas muy agradables, melancólicos, soñadoros, algunos más oscuros y tensos, donde priman las melodías cristalinas y los aires ensoñadores. Un lindo trabajo que les entrego en el día del trabajador, regalito del blog cabezón!. Artista: Mauricio Ibáñez Álbum: Shades of Light & Darkness Año: 2016 Género: Progresivo atmosférico Duración: 62:34 Refe

Soft Machine - Facelift (France & Holland) (2022)

Cerrando otra semana a pura música en el blog cabeza, volvemos a traer un registro histórico de Soft Machine en vivo, o mejor dicho, dos registros pero este disco dobre muestra a los muchachos en el 2 de marzo de 1970 en el Théâtre de la Musique, París, Francia, mientras que en el segundo álbum se los puede escuchar en el 17de enero del mismo año en Concertgebouw, Amsterdam, Países Bajos. Y como esto no tiene ni necesita mucha presentación, paso a despedirme hasta el miércoles de la semana próxima, y espero que no me extrañen porque les dejé bastante música y reflecciones como para que estén entretenidos en sus momentos de ocio. Artista: Soft Machine Álbum: Facelift (France & Holland) Año: 2022 Género: Escena Canterbury Duración: 1:55:59 Referencia: Discogs Nacionalidad: Inglaterra Acá podrán disfrutar a los Soft Machine en vivo y tocando en la cima de su mejor momento. Rutledge, Hopper, Wyatt y Dean parecen juntos una fuerza de la naturaleza a la que nada se

Bosón de Higgs - Los Cuentos Espaciales (2023)

Para terminar la semana presentamos un disco doble muy especial, desde Ecuador presentamos a una banda que ya tiene un nombre particular que los define: Boson de Higgs, que como ópera prima se manda con un concepto inspirado en el cosmos, la astronomía en un viaje interestelar de 15 temas que tienen además su versión audiovisual, en un esfuerzo enorme que propone la divulgación científica y cultural de un modo nuevo, donde se aúnan la lírica en castellano, el rock alternativo, la psicodelia, el space rock, el hard rock y el rock progresivo. Un álbum doble sumamente ambicioso, con muy buenas letras y musicalmente muy bien logrado y entretenido en todos sus temas (algo muy difícil de conseguir, más pensando si es su primera producción) y donde puede verse en todo su esplendor en su versión audiovisual que obviamente no está presentado aquí salvo en algunos videos, pero que pueden ver en la red. En definitiva, dos discos muy buenos y realmente asombrosos para que tengan para entretenerse

Skraeckoedlan - Vermillion Sky (2024)

Entre el stoner rock, el doom y el heavy progresivo, con muchos riffs estupendos para todos y por todos lados, mucha adrenalina y potencia para un disco que en su conjunto resulta sorprendente. El segundo disco de una banda sueca que en todo momento despliega su propio sonido, a 4 años desde su anterior álbum, "Earth". Saltarás planetas, verás colisionar cuerpos celestes, atravesarás galaxias y te verás arrastrado hacia la nada que lo abarca todo, conocerás el vacío y el fuego abrasador de los soles, y también encontrarás algunos arcoíris desplegándose bajo el cielo bermellón. He aquí un viaje interestelar por el universo de los sonidos, en una búsqueda tremenda y desgarradora, un disco muy bien logrado, que muestra una de las facetas de los sonidos de hoy, donde bandas deambulan por el under de todos lados del mundo en pos de su propio sonido y su propia identidad, y también (al igual que muchos de nosotros) su lugar en el mundo terrenal, tan real y doloroso. Los invito

Guranfoe - Gumbo Gumbo (2022)

Como corresponde al comienzo de semana, empezamos un lunes con un gran disco, y ahora de una de esas nuevas bandas que no tienen nada que envidiarle a los grandes monstruos de antaño. ahora con su segundo y último disco. En una entrega totalmente instrumental y a lo largo de todo el disco estos músicos ingleses nos brindan una exposición de como un disco puede ser melódico, apasionado, imaginativo, complejo, temerario, dinámico, adrenalítico y muchos adjetivos más que no alcanzan para describir toda la música de estos chicos, ahora arremetiendo con temas que fueron creados en sus inicios, incluso que fueron interpretados en vivo pero nunca grabados, y razones tienen ya que este material no da para que se pierda en el olvido, ya que este álbum suena tan hermoso como se ve su portada. Cinco temas que son técnicamente brillantes y que recuerdan a una colisión entre Zappa y Camel. Una fusión de folk, jazz y Canterbury que es tan psicodélica como progresiva, intensamente melódica y fá

Video de Los Viernes - Nostalgia del Hogar "Feel Like Going Home" 2003

The Blues es una serie documental producida por Martin Scorsese en 2003, declarado "Año del Blues" en Estados Unidos, genero que influyo al jazz y al rock. Cada una de las siete películas que componen la serie ha sido dirigida por un cineasta entusiasta del género y en ellas se hace un repaso su origen y desarrollo a lo largo del siglo xx Hoy toca el turno de Nostalgia del Hogar " Feel Like Going Home 2003" Dirigida por el propio Scorsese, este primer film de la serie rinde homenaje al Delta blues, a los orígenes del género, recorriendo el Estado de Misisipi de la mano del músico Corey Harris, para continuar después viajando por el continente africano en busca de las raíces del Blues. Feel like going home habla de músicos que se criaron alrededor de los algodonales, sin dinero ni comida, allí surgieron unos músicos que aliviaban las vidas de la gente como John Lee Hooker, Willie King, Son House o Robert Johnson. Músicos que se adaptaban a los tiempos, como O

David Lebón - Nayla (1980)

Artista: David Lebón Álbum: Nayla Año: 1980 Género: Rock / Rock progresivo Nacionalidad: Argentina Duración: 40:53 Lista de Temas: 1. María Navidad 2. Tema de Seleste 3. Tu amor borró el pasado 4. Está muy bien 5. Poder 6. Estoy en Tropicalia 7. Bolemigrero 8. Super pesado (instrumental) Alineación: - David Lebón / Guitarras, batería, teclados, piano acústico y voz - Rinaldo Rafanelli / Bajo - Oscar Moro / Batería - Diego Rapoport / Piano - Pedro Aznar / bajo fretless, teclados Y seguimos con las resubidas, ahora con un disco de David que habían pedido que publiquemos, luego habían pedido que lo resubamos, y viene Luis de Catamarca a satisfacerlos como corresponde.

Rick Miller - One of the Many (2024)

Para empezar el día y la semana nos vamos a Canadá de la mano del veterano multi-instrumentalista Rick Miller que presenta su último y mejor trabajo. Desplegando un rock progresivo atmosférico muy emocional, con muchas texturas sonoras y lleno de buen gusto, inspirado en artistas como Pink Floyd, The Pineapple Thief y Steve Hackett (ojo, solo inspirado), siempre con temáticas líricas ambiciosas, sombrías y bellas como su música y la tapa de sus discos. Este es un viaje a través de paisajes sonoros ricos, cinematográficos, etéreos melancólicos, nostálgicos y oscuros, con mucha sensibilidad melódica, ofreciendo capas, sofisticados arreglos que brindan una experiencia inmersiva que nunca deja de sorprender e impresionar, pero al mismo tiempo accesible y atractivo. Te invito a un mundo sonoro intrigante, con cautivadoras melodías de música atractiva, estimulante y gratificante, ideal para comenzar la semana en el blog cabeza. Artista: Rick Miller Álbum: One of the Many Año: 2002

Tadeusz Woźniak - Odcień Ciszy (1974)

Ayer, gracias al aporte de Mariano, presentamos al cantautor polaco Tadeusz Woźniak con su primer disco, y para cerrar otra semana a pura buena música en el blog cabeza, ahora vamos a presentar su segundo trabajo discográfico. Un disco hermoso, rico, atmosférico de paisajes sonoros electroacústicos, donde la mayoría de los temas son acústicos y cantados, con algunos sonidos folk adornados con pasajes orquestales, mientras que la voz melancólica de Woźniak lo hace todo atractivo, con una canción principal mezcla de psiodélico, folk y prog que es realmente genial e intensa y excelentes partes vocales. Aquí, el disco elegido para cerrar la semana, algo muy emocional, con mucha sensibilidad pero no sensiblero barato, al contrario, esto es arte enfocado al rock que busca tocar las fibras más íntimas del alma humana. Y aquí hay mucho para escuchar y deleitarse como para que siga hablando de ello... esto hay que escucharlo! Artista: Tadeusz Woźniak Álbum: Odcień Ciszy Año: 1974 Gén

Ideario del arte y política cabezona

Ideario del arte y política cabezona


"La desobediencia civil es el derecho imprescriptible de todo ciudadano. No puede renunciar a ella sin dejar de ser un hombre".

Gandhi, Tous les hommes sont frères, Gallimard, 1969, p. 235.